The present composition defracta from the Latin word "diffractus" is focused on a particular phenomenon of the sound: the diffraction. It happens all the time that somehow something restricts or obstructs a wavefront. When a wave encounters an obstacle in his way or is forced to pass through a small crack, it takes advantage of his ability to shatter and to reconstruct, scattering, beyond the obstacle or the slit. In this regard, for the composition, the sound recordings have been made in the internal staircases of two buildings with architectural structures and properties very different from each other in which it was possible to pick up the sounds coming from the apartments, windows and doors and then be extrapolated from their original space-time context and subsequently processed and overlapping such as debris of resonances, highlighting the harmonic components for the construction of a third spatial structure. defracta: Intolerance of limit for absolution of the absolute audio track: https://soundcloud.com/idrioema/idrio... Featured in Eterne Partenze Festival 2012 http://eternepartenze.altervista.org/... in GALLERIA D’ARTE CONTEMPORANEA ONOARTE http://www.onoarte.com/gallery.html Featured in Being². 2012 from VerticalCinema @ _ Gwdihw in Cardiff, Wales. https://verticalcinema.wordpress.com/... idrioema © 2012 http://idrioema.tk

defracta: Intolerance of limit for absolution of the absolute idrioema © 2012 http://www.idrioema.tk

The present composition is focused on the concept of language, primarily on it's written and oral form. Every language, whether written or oral, contains symbols and its own distinctive sounds that distinguish it from others by providing a specific identity and hence uniqueness. Syntax has the meaning of order and this order is dictated by the syntactic composition model adopted. To order, therefore, different languages ​​by means of a unique syntax of composition, paradoxically lead not only to a sort of hybridization but also to a highlighting of the different symbolic and sonorous variables of the individual languages ​​involved. In this regard, a poem has been translated into different languages and then has been processed using the same programming language, typical of Internet browsers, leading to build a horizontal babel with the vain purpose of standardize the comunication. This construction is destined to collapse by the structure used as insufficient and inappropriate to the assumption and contrary to its own intrinsic value in the diversity of its components because it tends to destroy both the form and substance of symbols and original meanings. communication without communicability: silence The sounds used are the result of the conversion of text using speech synthesizers and their following transformations. audio track: https://soundcloud.com/idrioema/idrioema-syntaxea Featured in Being². 2012 from VerticalCinema @ _ Gwdihw in Cardiff, Wales. https://verticalcinema.wordpress.com/... idrioema © 2012 http://www.idrioema.tk Note: Watch it in HD fullscreen mode.

Volumetric debris in discordant spatialities hover alleviating halos of margin pulling veils of referential shades for the weaving of constants propagations symmetrically bright absolute To perceive the space, means to perceive the geometric characters of things and our orientation in it is unavoidably conditioned by reference points. So finding us in a vast sea of white light or in total darkness, with no discernible borders and references, we would be completely unable to orient ourselves and to establish our position in it. For the present composition have been recorded and used only the sounds of a steel tube, a glass sphere, a pendulum and skin to symbolize both the instability and the quest for balance. knowledge draws a spiral which center is established by perception idrioema © 2012 http://www.idrioema.tk . Performed by the choreographer Kerry Kim in "Almost one" at Tisch School of the Arts of New York / 2013

knowledge draws a spiral which center is established by perception idrioema © 2012 http://www.idrioema.tk

Disintegration of any hyperbolic constant so that the ellipses are generated from the same point such imperfect circles intent to the intersection of synesthetic evolutions. Consequential hindrance between disinterested asymptotes for a premise of evolution of nature as the beginning and end. Evolution of action for reaction evolutionary reaction of the action responsive action for evolution Evolution: emanation of confluence ... Sound sources: Our recordings of a street cleaning made during the night (water, asphalt, stones, garbage bins, cars, pumps and alarms). . Featured in FILE Hypersonica Screening, that will be part of FILE 2012 - Electronic Language International Festival. http://www.hipersonica.org/en-us/2012/SP/SCREENING/192.aspx Featured in Live!iXem Festival 2011 _ Favignana - Sicily 08-09 DEC 2011 http://www.antitesi.org/ixem/ixem/Li2011.html idrioema © 2011 http://www.idrioema.tk

Composition for cables, printer, speakers, dvd player and tape cleaner. Dedicated to Morton Subotnick. audio track: https://soundcloud.com/idrioema/idrioema-ikon Featured in FILE Hypersonica Screening, that will be part of FILE 2012 - Electronic Language International Festival _ Sao Paulo http://www.hipersonica.org/en-us/2012/SP/SCREENING/192.aspx idrioema © 2011 http://www.idrioema.tk

Essentiality, substance understood as something basic and independent in the existence, which is below of other potential realities and is therefore a primary source of activity. In this regard, for the present composition have been used visual programming codes that use as raw material only the pixels of the screen being influenced by the size and therefore the space and by the time, being their actions determined by different levels of speed. Similarly, the sound was achieved using only sine-wave frequencies, that follow the images moving in space with variables intensity for the creation of rhythms and micro-tonal ephemeral structures. Not a surface on which to draw, but a surface with which to draw; an expanse of apparently white from which to get a glimpse of many different light gradations. Available as cd (audio) + dvd PAL (video & audio ac3) in printed digipack. For further details, please feel free to contact us . Featured in FILE Hypersonica Screening, that will be part of FILE 2012 - Electronic Language International Festival _ Sao Paulo http://www.hipersonica.org/en-us/2012/SP/SCREENING/192.aspx idrioema © 2011 http://www.idrioema.tk

Essentiality, substance understood as something basic and independent in the existence, which is below of other potential realities and is therefore a primary source of activity. In this regard, for the present composition have been used visual programming codes that use as raw material only the pixels of the screen being influenced by the size and therefore the space and by the time, being their actions determined by different levels of speed. Similarly, the sound was achieved using only sine-wave frequencies, that follow the images moving in space with variables intensity for the creation of rhythms and micro-tonal ephemeral structures. Not a surface on which to draw, but a surface with which to draw; an expanse of apparently white from which to get a glimpse of many different light gradations. Trailer for the upcoming audio-video composition i n T r a Release date: 11.10.11 Total lenght: 70 minutes. Available as cd (audio) + dvd PAL (video & audio ac3) in printed digipack. For further details, please feel free to contact us idrioema © 2011 http://www.idrioema.tk Note: Watch it in fullscreen mode.